Making old things new again: Jameson Hampton & the Tarot of Sorts

They are saying constraints breed innovation, and what that appears like here’s a breaking down of the standard symbolism of the tarot into its barest elements to determine fascinating new methods to signify it.

It is a visitor put up shared by Jameson Hampton, speaking about their challenge, the Tarot of Types, which is crowdfunding on Kickstarter!

I like previous issues.

Antiques. I like their classic visible aesthetic and the way in which they odor. I like fascinated by the individuals who used to make use of them. It makes me really feel linked to the previous to do issues in the identical means individuals used to to do them, to make use of the identical instruments individuals used to make use of.

This love of previous issues is what led me to letterpress printing. I’ve a gentle spot for mediums which might be thought of “outdated” as a result of I believe it’s vital to know our historical past and never lose these previous items of the creative course of. I like all the pieces about letterpress. In a world dominated by computer systems and screens, typesetting is delightfully tactile. The truth that it takes so lengthy to put out is a bit tedious, sure, but it surely additionally oozes with intentionality. You possibly can’t make letterpress artwork accidentally. Like a jigsaw puzzle, every bit has its rightful place.

Intention, after all, can also be the constructing block of magic. And my love of tarot can also be associated to this love of previous issues, this connection I really feel with each printmaker and tarot reader that has ever come earlier than me. So for me, letterpress and tarot go collectively fairly naturally, and thus the Tarot of Types was born.

Creatively, the problem of this challenge was how you can convey divinatory symbolism utilizing solely the property I had accessible to me within the library of letterpress gear at my print store. Letterpress has at all times jogged my memory of collage on this means, which is one other medium I’m very keen on – taking one thing that already exists and rearranging it to create new that means. (Fortunately, I used to be lucky sufficient to have an in depth library to work with at my house studio, E book Arts in Buffalo, NY!) In letterpress, a “kind” refers to a single letter of movable kind, so calling it the Tarot of Types alludes to the collage nature of the challenge, the way in which the deck could be damaged down into these element items that it was made out of.

That is the type of creative problem I like. They are saying constraints breed innovation, and what that appears like here’s a breaking down of the standard symbolism of the tarot into its barest elements to determine fascinating new methods to signify it. My favourite instance of this in my deck is Temperance. Really, I believe the game of bowling is a superb metaphor for Temperance and its emphasis on endurance, stability and stream, however I by no means would have give you it if I hadn’t discovered some bowling themed kinds as I used to be frustratedly scouring the library for concepts. The Tower is one other good instance, since you hardly ever see depictions of the Tower that don’t characteristic an precise tower of some kind! However I completely fell in love with this “put together for a shock!” block, which has a delightfully classic look and channels the precise power I used to be searching for within the Tower.

Hand-printing a tarot deck got here with loads of logistical challenges as effectively, primarily by way of the labor concerned. Fortunately, the method is fascinating! Let me stroll you thru what it was prefer to make a single card on this vintage Chandler & Worth platen press, which is the machine I used for the entire deck. (I printed immediately onto clean tarot playing cards, and so they had been too small to make use of the bigger Vandercook presses!)

First, I designed what I wished the cardboard to seem like and typeset it by hand. It is a laborious course of, particularly for playing cards that featured loads of textual content, for a number of causes. The types are small and fiddly, and to load them into the platen press, they’ve to suit inside a steel body (referred to as a “chase”) extraordinarily snugly, as a result of the chase is inserted into the press vertically and if the types are unfastened in any respect, they may fall proper out throughout this step! So the entire empty area must be stuffed up with spacer items (referred to as “furnishings”) after which held within the chase with stress by utilizing “quoins,” that are spacer items that broaden to lock all the pieces in place. Additionally, the platen press can solely print one colour at a time, so this course of must be repeated for each completely different colour that I would like on a card!

The ink goes on the round plate, after which once you pull the lever down, the rollers roll up onto the ink, then down over the kind to ink it, after which the panel that’s holding the cardboard is pressed up in opposition to the kind and it’s imprinted onto the cardboard after they’re pressed collectively! I’ve pulled that lever at the very least 4,000 instances to this point engaged on this challenge!

Although I needed to work inside quite a lot of limitations, I attempted to do some fascinating issues with the medium, which regularly meant simply… making an attempt stuff. Most of my experiments labored out fairly effectively! I acquired further accent colours on the Solar by fingerprinting ink onto the playing cards. I achieved a colour gradient on the Hanged One by utilizing a handbook proof press that needed to be hand-inked between every card. I realized screenprinting simply so as to add inexperienced dots to Temperance (which was in all probability overkill, however I did get to be taught screenprinting)!

Different experiments had been much less profitable, however having to readjust the plan when issues didn’t work out was a part of the constraints of the challenge, and in reality, led to the design of my favourite card: the Satan! I initially printed a background of black exclamation factors, intending to make use of it for the background of the Tower, but it surely turned out that the yellow ink I used for the Tower wasn’t opaque sufficient to layer on high of black, so the entire design didn’t work out. However I labored exhausting on these exclamation factors, darn it! So I included them into a brand new design for the Satan, layered with crimson textual content and a silver define of individuals dancing that appears ghostly and mysterious. This card is emblematic of my deck, I really feel: visually fascinating, incorporating each picket and steel kind and picture kinds, and by no means would have existed the way in which it does if it weren’t for artistic constraints!

An exhibition of the full deck in the studio gallery at Book Arts is operating from March 18th to April twenty third, since I accomplished it as a part of their studio residency program.

The top of the exhibition marks the start of the Kickstarter campaign, which is operating with the intention of getting replica copies of the deck made. Why? Whereas the hand-printed copies are very cool, solely about 35 copies of the complete deck exist (and truthfully it type of hurts to say “solely” after I hand-printed a couple of thousand playing cards)! Tarot is supposed to be learn from, and I would like greater than 35 individuals to have the ability to do readings from the playing cards I made. Replica decks, in addition to authentic decks, singles of the unique playing cards, and authentic, hand-printed posters, can be found as Kickstarter rewards, in addition to a number of different surprises!

Thanks for studying, as I actually respect the curiosity in my course of and the assist for my challenge!

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