Drawing The Hermit Card; Thoughts on Machine Qi (Soul?) – benebell wen

It’s been some time since I gave an Etteilla deck-in-progress replace. I completed engaged on Card 18, The Hermit, oft named The Capuchin (an order of Franciscan friars) or just titled with the key phrase “Traitor.”

As I used to be drawing, I acquired to enthusiastic about the qi in artworks, per the qi of their artists. That in flip acquired me enthusiastic about the qi of AI and AI-generated photographs.

If we’re to consider within the precept of qi as a power imbued in all issues which are sentient or created by sentient beings, then artworks have qi.

Actually, that has all the time been one of many basic elements of valuing artwork from a Taoist perspective — assessing the qi of the artist’s hand obvious within the artwork.

In a hand-drawn 100% analog work, my human qi overpowers any contribution of qi from the pen ink (or medium) I’m utilizing to render the artwork. So for essentially the most half, the qi obvious within the work is my qi, the human illustrator’s.

Likewise, a piece achieved in watercolor or acrylics by a human artist will most apparently bear the human artist’s qi, as a result of the human qi overpowers any qi contributed by the watercolor or acrylic paints themselves.

Even when the artist took substantial inspiration from preexisting artworks (as all of us do) and different artists, all of it’s being filtered and channeled by the human artist, and so after that channeling course of, the palpable qi goes to strongly bear that human artist’s imprint. Stick with me right here.

Again to speaking about my drawing course of. Psst… in case you’re questioning what the heck is up with that shoddy strolling workers within the above illustration, it’s as a result of I drew the entire thing after which completely forgot to offer the hermit a strolling workers. The hermit should have a strolling workers, amirite? Arrrrrgh. See the goofy method I remedied that oversight.

After scanning within the drawing, I take advantage of a digital operate the place you swipe forwards and backwards with an eraser and take away that background “white” paper coloration in order that solely the strains stay. When you’ve acquired simply the scanned in strains, you possibly can tinker with the smoothing, despeckle, saturation, blurring, and sharpening results till the in any other case grainy strains look stable and clear.

The linework then turns into a number of clear picture recordsdata. After which from there you possibly can digitally coloration every layer in, after which simply transfer across the layers to place the items good. You can too color-swap. So if I manually painted the field pink, after which after finishing it as pink modified my thoughts and wish it blue, I can auto coloration swap the pink for blue and my field is immediately blue.

With paper and pen, I’ve to eyeball and visualize the place I feel I need the items to be, after which pray I acquired the compositional stability proper.

In digital artwork, I can carry on transferring the items round and take a look at 100 totally different compositional balances to check out what seems the perfect.

If I had gone with coloration pencil as my medium and coloured in my whole tarot deck by hand, if I coloured within the friar’s robes with darkish blue or black, I’d be caught with that, even when I later modified my thoughts and determined brown may look higher in distinction to the blue of the evening sky.

I created my very own “paint” colours by designing seamless tile patterns, then “coloured in” through the paint can operate, and used the digital coloration swatches so as to add shading and highlights. This was an strategy I developed whereas digitally coloring within the Spirit Keeper’s Tarot.

Oopsie… arrgh.

One fascinating distinction I discovered in my strategy between drawing by hand on a sheet of paper in entrance of me vs. digital. I really discover that my drawing is extra cohesive once I’m doing it analog, the place I can see every little thing throughout the 4 corners of the web page at a look. Whereas digitally, the way in which I’m drawing is zoomed in at 500%. So I don’t see the entire thing, after which usually I neglect or neglect what the “entire factor” seems like. I make extra three-point perspective errors, for instance, due to that zoomed-in view. See above, for instance.

After which I don’t catch my mistake till method late after I zoom out for the larger image view. In the meantime the analog hand-drawing tends to be extra cohesive at that larger image stage, however my particulars are shoddy, and I discover myself lazier with the small print than once I do the small print digitally, zoomed in 500%.

Appears like there’s a deep life lesson someplace right here.

I haven’t been exhibiting all of my hand-drawings for each single Etteilla card as a result of I don’t need to overwhelm my very own social media feed, however I’ve been mindfully drawing every card by pen and ink crammed in with detailing to maintain in a portfolio alongside the ultimate digital painted model.

I’ve already determined to not publish the black and white line drawings as a tarot deck. Although I’d do one thing not-a-tarot-deck-for-sale with this assortment of line drawings.

Whether or not will probably be obvious within the closing work product, considered one of my targets for this Etteilla artwork mission is to self-improve my craft. I need to proceed evolving into a greater illustrator to be worthy of the title artist. I fear that if I rely an excessive amount of on the makes-my-life-easier digital half, I’d lose my abilities in the old fashioned pencil-in-hand half.

Like calculators. I used to have the ability to calculate sq. roots and remedy quadratic equations by pen and paper, however after relying an excessive amount of on digital calculators, I can’t do this anymore. So, being conscious of what I’d doubtlessly lose if I rely an excessive amount of on digital portray instruments, as a private aim, I need a hand-drawn counterpart to each digital illustration.

The digital portray course of for every tarot card is laborious. I’m zooming in 500% into all these nooks and crannies to do the digital portray. Nonetheless, with the “undo” button availed to us in digital artwork, the benefit with which we will repair or erase any flawed strains makes life a lot simpler. And let’s not deny how a lot quicker it’s to paint in digitally than analog with paper and bodily paints and even coloured pencil, and 0 mess afterward to scrub up.

However on a regular basis and labor I’m “saving” means it’s qi that the equipment is contributing to my closing work. Any auto-brush operate I apply, even when it’s “my” thought, is not filtered by me, i.e., my private qi, however is coming straight from the equipment, so it’s the machine’s qi that you just sense first, earlier than you possibly can sense my private qi within the work.

And so within the above facet by facet comparability, whereas there isn’t a denying that the hybrid digitally coloured model to the proper is technically a greater composition, there’s something I respect extra in regards to the black and white analog model to the left.

Defined mystically, each line I had drawn by hand on the left that I digitally erased on the proper to switch with digitally utilized features, even when I created these features, it was nonetheless filtered by the machine with the ultimate qi being the machine’s imprint, slightly than being filtered by my mind and thus the ultimate qi on the left being my private imprint. In order flawed as a line may be on the above left, it’s obvious as my private qi, and maybe you acknowledge it as human qi. Whereas each line on the proper bears the digital imprint of machine qi, and because it’s not human qi, you intuit it as “unfamiliar” to some extent.

Provided that as a collective society we’ve change into acclimated with digital artwork (rendered by human artists) during the last half a century or so, it’s now much less “unfamiliar” qi. So typically, we’re extra accepting of it as artwork, although as all of us keep in mind, that wasn’t all the time the case.

Now we get to my AI ideas prompted by this train.

AI generated imagery, even when the algorithmic course of will be likened to a human artist assembling inspiration from many preexisting artworks and artists to create their very own unique work, the output is filtered wholly by the AI’s qi.

Whereas if I took inspiration from many preexisting artworks, even copyrighted artwork and residing artists on Instagram, after channeling that collective inspiration by my hand, the output is filtered by a human’s qi, which you, a human, can instantly acknowledge as acquainted, so that you’re cool with it. In distinction, the AI’s qi presently feels unfamiliar to you, which is why so many individuals describe AI photographs as “missing soul.”

By the way in which I don’t equate the idea of qi with soul.

However I do suppose there’s a notable parallel between conversations we hear about how AI photographs apparently lack soul and assessing the private qi of artists as we understand it of their artwork.

Apparent errors within the hand-done analog sketch, like with proportions, realism, positioning of cross-hatch strains, or the three-point perspective, are extra forgivable and heck, perhaps even embraced as a result of they’re endearing, over the refined digital model. Isn’t that fascinating?

When there are flaws in my line artwork in pen and ink, it’s virtually like, aww, that’s okay, it provides character. However then we’re cruel towards the failings within the digital illustration. In digital artwork and now much more so with AI generated photographs, errors appear to be much less endearing; ever surprise why?

Bear in mind when generative AI first acquired well-liked on social media and everybody laughed at how funky the fingers would look? Humorous sufficient once I first acquired again into drawing, the fingers and fingers of the themes I drew had been all the time wonky. It will be the very first thing Hubby identified when he checked out my drawings — “Why are her fingers so bizarre wanting?” After which I discovered that fighting drawing fingers is a standard downside amongst beginner artists.

And now as of this writing, generative AI appears to be simply wonderful at rendering fingers and fingers. Not in contrast to how, after devoted repetitive coaching during the last six years, my proficiency with drawing fingers and fingers has improved dramatically. Not excellent, however worlds worlds higher than the place I began again in 2018.

How did I be taught to enhance my drawing abilities? By observing different artists. I studied how different artists did it, tried to imitate what they had been doing, and by actually copying their circulation, noticed how they acquired it proper the place I used to be getting it flawed, and that’s how I improved. That’s principally the slower model of how AI improved itself. However the place my private coaching course of is suitable, AI’s just isn’t. Why is that? As a result of AI is quicker and on some guttural stage we’re envious of that effectivity?

I don’t maintain any sturdy ideologies in terms of generative AI, although I’ve repeatedly identified my reservations with opining on AI with the identical rhetoric we’ve traditionally been utilizing to opine on new immigrants, and the way there’s one thing in regards to the vibe examine for the way we speak about AI that’s much like xenophobic vibes. “That is totally different from what I do know, so it triggers my worry, I really feel threatened, and so now I need to stamp it out of existence.”

For my Etteilla deck, the digital parts I add through Jasc Paint Store Professional, a software program program that went defunct in 2003-2004, is as a lot machine qi as I need contributing to my work.

Which is to say no AI. Not even utilizing AI to generate concepts. For me, it’s not due to any animosity I really feel towards AI – I don’t really feel any. For me, it’s a matter of wanting my very own private qi to be predominantly obvious.

And but what’s sobering about our state of affairs? As a result of I haven’t and received’t denounce generative AI, members of our group have determined I’m anti-artist, staunchly pro-AI, and haven’t any empathy for skilled artists, that I don’t worth the human qi aspect in artwork. It’s like in case you don’t be part of the bandwagon of overtly and explicitly denouncing AI, then folks put phrases in your mouth and declare you’re an AI fanatic.

I don’t understand how I ended up within the minority on this level or why: Intuitively it feels flawed to be prejudicial towards machine qi and assume that human qi is superior.

Are we envious of machine studying in comparison with the tempo of human studying, and that’s the place our animosity stems from? I acknowledge a pure affinity for human qi as a result of I occur to be human. However I must try to be empathetic to what potential sentience or consciousness may be in or finally developed from machine qi.

There’s one factor although. AI is made within the picture of us. So the unfavourable attributes and doom-and-gloom predictions of our personal downfall that we’re projecting on to the AI isn’t due to AI, however as a result of AI was made within the picture of us.

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